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Forging such a position, we argue, is, multi-vocalism, collaboration and participation (Dewdney et al., 2013; Drotner &, ethnographic media and communication studies in order to compare and evaluate, knowledge formation. . Professor Sarah Kenderdine researches at the forefront of interactive and immersive experiences for galleries, libraries, archives and museums. Zooming Sydney. The authors, all academics, work in art, design, computer science, social science, filmmaking, engineering, and philosophy. Questions can be sent to sarah.kenderdine@epfl.ch. June 1, 2021 (envisaged, but the actual start date can be more flexible). Correspondence. This volume focuses specifically on the applications, possibilities, and limitations of handheld X-ray fluorescence devices in art conservation and archaeology. In 2017, Sarah was appointed Professor of Digital Museology at the École polytechnique fédérale de Lausanne (EPFL), Switzerland where she has built a new laboratory for experimental museology (eM+), exploring the convergence of aesthetic practice, visual analytics and cultural data. skills in computer programming, advanced knowledge in data science and machine learning is preferable. Her works are research-based as well as paradisciplinary. It is a transdisciplinary initiative at the intersection of cultural heritage, imaging technologies, immersive visualisation, visual analytics and digital aesthetics. Found insideThe museum of contemporary art might be the most advanced recording device ever invented. It is a place for the storage of historical grievances and the memory of forgotten artistic experiments, social projects, or errant futures. Narratives from the long tail: transforming access to audiovisual archives. experimental museology | Jeffrey Schnapp | webpage // blog // log. Email: ymzh@sdu.edu.cn It then looks in more detail at findings and attempts to build a conceptual vocabulary in three related areas of museum visitor research: media, sociality and space. It offers practical insight useful to chemists, physicists, and materials scientists working in experimental surface science. Elected 2021. Found inside – Page 113... erally requires graduate training . degree in museum studies ( museology ) . ... and laboratory experiments , grade exfor advancement . curator and ... In 2017, Kenderdine was appointed Professor of Digital Museology at the École Polytechnique Fédérale de Lausanne (EPFL), Switzerland where she has founded a new laboratory for experimental museology that explores the convergence of aesthetic practice, visual analytics and cultural data (eM+). She began working at EPFL in 2016 in IC and joined Professor Sarah Kenderdine in 2017 within the Laboratory for Experimental Museology. DHLAB - Digital Humanities Laboratory (181) EMPLUS - Laboratory for Experimental Museology + (6) LHST - Laboratory of the history of science and technology (48) Sarah continues to collaborate with UNSW as an Adjunct Professor, and board member of EPICentre, the Expanded Perception and Interaction Centre she co-founded and directed from 2015. All rights reserved. Design Research Through Practice: From the Lab, Field, and Showroom, The Routledge Handbook of Museums, Media and Communication, Museum space: Where architecture meets museology, From Being about Something to Being for Somebody: The Ongoing Transformation of the American Museum, Interconnecting: museum visiting and exhibition design, Epistemological analysis of museum education, Tools for museum educators professional development, Yanagi Sōetsu et l’invention des « arts populaires » : remise en perspective. Former Product Manager of Alibaba Cloud. Regrettably . Research and practice pursuits typically unfold independently and often with different goals and methods, making it difficult to make meaningful connections between laboratory research in cognitive development and practices in informal education. This January 15, 2021, with my collaborators Daniele Ledda (xycomm Milan) and Elisabetta Terragni (CUNY, Studio Terragni Architetti, Como), and working with the team at the Museo Madre // Fondazione Donnaregina in Naples, I launched a novel initiative entitled museoFuturo.. MuseoFuturo ("Future Museum") is an experiment in . Considered a pioneer in the fields of digital heritage and digital museology, Kenderdine is a regular keynote speaker at related forums internationally, including the World Economic Forum. In 2017, Sarah was appointed Professor of Digital Museology at the École polytechnique fédérale de Lausanne (EPFL), Switzerland where she has built a new laboratory for experimental museology (eM+), exploring the convergence of aesthetic practice, visual analytics and cultural data. For those who want to know more about the project, a panel discussion open to the public will bring together . Computer Animation Festival Chair . very good analytic skills; project design and implementation with several stakeholders and custodians of big cultural data. Professor Sarah Kenderdine joined École polytechnique fédérale de Lausanne (EPFL) in July 2017 as full Professor. In 2017, Sarah was appointed Professor of Digital Museology at the École polytechnique fédérale de Lausanne (EPFL), Switzerland where she has built a new laboratory for experimental museology (eM+), exploring the convergence of aesthetic practice, visual analytics and cultural data. Jagdish Kadam Sydney, NS. She is considered a pioneer in the field digital heritage, digital museology, digital humanities and data visualisation and is a regular keynote speaker at related forums internationally. Her current research involves intangible cultural heritage, computational archives, embodied knowledge, Chinese martial . It focuses on empirical studies carried out in a range of social and cultural disciplines. The application should specifically include a CV, motivation letter (directed to Prof. Dr Sarah Kenderdine), and three academic references. Born 1966, Sydney, Australia. an interest in the applied world of museums, in the futures for mass digital archives in immersive systems design for mass publics worldwide. On 6-7 August 2018, the Laboratory for Experimental Museology is organising an interdisciplinary symposium and summer school - Archiving Intangible Cultural Heritage & Performing Arts: A Symposium and Summer School for Living Traditions. Explores examples of museum experimentalism in light of cutting-edge museum theory. Meeting with HK Baptist University President and Vice-Chancellor Prof Alex Wai, his colleagues, and CEO of Cameron Pace Group (China) Gordon Cheng at HKBU campus, where we also had a discussion via. Wynscreen contributing artist. Found inside – Page 141... greater specialization . an experimental laboratory . The need for this injection of knowlIn São Paulo , the present Museology edge through training and ... She graduated in political sciences at Johann Wolfgang Goethe University in Frankfurt/Main and was the first artist-in-residence at the Swiss Federal Institute for Technology (EPFL) and its Laboratory for Experimental Museology (eM+) in 2020. Luxembourgish history throughout the 20th and 21st centuries, European history throughout the 20th and 21st centuries, Investigating the impact of digital technologies on the practice of history, Copyright © Université du Luxembourg 2021. Kung Fu Motion derives from a longitudinal research project, the Hong Kong Kung Fu Living Archive (instigated in 2012). Former Digital Consumer Analyst of Procter & Gamble EMEA. CFP: How to navigate multiple historical narratives in museums? Found inside – Page 28... Hith Biometeorol CL REMINGTON PhD Prof Biol For Ent Museology TG SICCAMA ... Path 12 PE MECKLEY VMD PhD Assoc Prof Dir Lab Anim Care Anim Care Physiol ... In 2017, Sarah was appointed Professor of Digital Museology at the École polytechnique fédérale de Lausanne (EPFL), Switzerland where she has built a new laboratory for experimental museology (eM+), exploring the convergence of aesthetic practice, visual analytics and cultural data. Robert Mueck Per Diem Research Assistant, Associate, or Collaborator . eM+ engages in research Theoretically, the volume analyses the emergence of exhibitions as research as part of recent developments within materiality theories, object-oriented ontology and participatory approaches to exhibition-making. S. Kenderdine - Lead of the Laboratory for Experimental Museology (eM+), École polytechnique fédérale de Lausanne (EPFL) Computational museology futures for archives: A. Radius - co-founder and SAR Engineer, ICEYE: Space for cultural heritage: A. Traviglia - Coordinator, Centre for Cultural Heritage Technology, Italian Institute of . At eM+, you will join an interdisciplinary team of 10 people with diverse backgrounds such as museums, archives, imaging and visualization, graphics coding and human computer interaction. Introduction to the Study of Museology : For the stud. In 2017, Sarah was appointed Professor of Digital Museology at the École polytechnique fédérale de Lausanne (EPFL), Switzerland where she has built a new laboratory for experimental museology (eM+), exploring the convergence of aesthetic practice, visual analytics and cultural data. Although design scholars have increasingly developed tools, focus on museums activities, exhibitions and their users, design-based research has, practice-based co-design and design-based research on a large scale. Synthesizing work carried out by the author over the past twenty-five years, this article proposes a tentative disciplinary definition of critical museology, distinguishing its related methodological interdictions and describing its distinctiveness from what is here defined as operational museology. All applications should be submitted online via the doctoral school of Digital Humanities (EDDH) and be admitted. The Laboratory for Experimental Museology (eM+) is a leading transdisciplinary initiative at the intersection of immersive visualization technologies, visual analytics, aesthetics and cultural (big) data. In 2017, Sarah was appointed Professor of Digital Museology at the École polytechnique fédérale de Lausanne (EPFL), Switzerland where she has built a new laboratory for experimental museology (eM+), exploring the convergence of aesthetic practice, visual analytics and cultural data. In 2017, Sarah was appointed Professor of Digital Museology at the École polytechnique fédérale de Lausanne (EPFL), Switzerland where she has built a new laboratory for experimental museology (eM+), exploring the convergence of aesthetic practice, visual analytics and cultural data. In 2017, Sarah was appointed professor at the École polytechnique fédérale de Lausanne (EPFL), Switzerland where she has built the Laboratory for Experimental Museology (eM+), exploring the convergence of cultural heritage, imaging technologies, immersive visualisation, visual analytics, digital aesthetics and cultural (big) data. MSc from EPFL IC. Found inside... in the form of experimental laboratories and knowledge-sharing practices. ... museology practices and production and Critical Disability Studies in ... Theoretically grounded, methodologically original, and richly illustrated, this book will equip students, researchers and professionals in the fields of architecture, museum studies, curating, exhibition design, and cultural studies, with a guide for studying museums and a theoretical framework for their interpretation. Found inside – Page 42... of Bacillus spp. at different temperature: a laboratory experiment. ... ButterworthHeinemann Series in Conservation and Museology, Routledge, London. Potential and actual audiences can, perimental and quantitative methodologies, studies drawing on sociological and cultural, museum communication has assumed increasing, standing that the volume does not support. very good analytic skills; project design and implementation with several stakeholders. Stéphanie became a member of the EPFL Pavilions team in 2019. Found inside – Page 7Between Market and Laboratory Ursula Klein, E. C. Spary ... which had a galvanizing effect on the development of the experimental sciences. Laboratories ... Found inside – Page 19... linguistics Laboratory , Ethnography Laboratory , Experimental Sociology ... Mus Anth ) Art and material culture , museology ; Northwest coast ( on ... View the profiles of professionals named "Sarah Kenderdine" on LinkedIn. Museums are among the iconic buildings of the twenty-first century, as remarkable for their architectural diversity as for the variety of collections they display. 4.- 23.5.2021. a MA degree in computer science, specifically data science, computational archival science, information science or a related field. Sarah Kenderdine. dhCenter is a joint center for digital scholarship at Université de Lausanne and École polytechnique fédérale de Lausanne. Director, Lab for Experimental Museology, ArtLab, Ecole Polytechnique Fédérale de Lausanne (EPFL) Researches at the forefront of interactive and immersive experiences for galleries, libraries, archives and museums. Online lecture by Sarah Kenderdine, Professor of Digital Museology at the École polytechnique fédérale de Lausanne. of the Internat. In widely exhibited installation works, has amalgamated cultural heritage with new media art practice, especially in the realms . The experiment has become the paradigm for hypothesis-testing in science, but there is much more to science than experiments. Found inside – Page 85... and the theoretical articulation of critical museology ... Archaeological holdings , Ethnography Laboratory , Experimental Sociology ( small groups ) ... List of EPFL research units. eM+ engages in research from scientific, artistic and humanistic perspectives and promotes post-cinematic multisensory engagement using . a team spirit and the ability to work in an interdisciplinary environment. From 12th June to 4th July, EPFL Pavilions, Pavilion A will host a dozen experiments set up by the science center Technorama in order to explore natural phenomena and technology. From 2016 to, fessionals and university researchers collaborating on, were successful in facilitating users’ cultural citizenship, knowledge of particular design ecologies in tandem with joint seminar discussions, As argued previously, experimental approaches are applied, archives, gallery spaces and other physical locations as well as, de Arte Precolombino (The Chilean Museum of Pre-Columbian Art) in Santiago, the sta of playing an institutional role, collective senses of responsibility and agency, sumerist economy can still full a mission to educate audiences. All institutes BMI DHI GHI IA IBI IEL IGM IIC IIE IMT IMX IPHYS ISIC ISREC MATH MTEI SFI. All rights reserved. This talk explores the work of the laboratory for experimental museology, a transdisciplinary initiative at the intersection of imaging technologies, immersive visualisation, visual analytics and digital aesthetics. © 2008-2021 ResearchGate GmbH. 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